Dubai Design District (d3) hosted a talk titled ‘Emerging Cultural Infrastructure in the Gulf’ as part of the d3 Architecture Festival 2020.
Organised in partnership with the Royal Institute of British Architects (RIBA) Gulf Chapter,
the inaugural edition of the d3 Architecture Festival was held from November 11 to 13 under the theme ‘Identity, Context and Placemaking in the Gulf’.
Moderated by Khawla Al Hashimi, Director of Project Development at the Sharjah Investment and Development Authority (Shurooq), the panel discussion explored contemporary cultural infrastructure and its relation with the heritage and built environment in the GCC.
Participants included Sumaya Dabbagh, Principal and Founder of Dabbagh Architects, Paolo Rossi, Associate Director of Architecture at Pace, Wael Al Awar, Principal Architect and Founding Partner at waiwai, and Islam El Mashtooly, Design Director at Croquis.
The panelists defined cultural infrastructure as culturally rooted and context-driven projects that preserve the memory of a place. They agreed that context goes beyond tangible elements, and is crucial to incorporate humanist design in real estate development.
In her comments, Dabbagh said: "Every place has a story, and architecture should build on that story without erasing the memory of the place."
"The modernisation of Middle Eastern cities, such as Dubai and Riyadh, has prompted a search for identity, and I am encouraged by the move towards delivering meaningful architecture that can add to the community," she stated.
El Mashtooly highlighted the significance of mosques that transcend their religious role to serve as real urban living rooms.
On another note, he used India as a prime example of a country with a deep understanding of cultural localism in architecture.
In his comments, Rossi said: "A museum is a medium between mankind and its culture. It’s not an object, it’s not a place – the new trend for museums is to be part of the exhibition. The power of an idea is more important than object or form."
Al Awar pointed out that the culture was always tied to context – location, people, nation – which is key in addressing every architectural project.
"The UAE did a fantastic job to bring the right architects in order to keep its identity. It used Japanese architects, who are tied to their identity, unlike Western architects, who have blindly adopted the modern style," he noted.
To illustrate the importance of getting clients on board, he recounted the story of his firm designing Al Warqa’a Mosque in Dubai that involved a 1.5-year conversation with Dubai Municipality about the meaning of identity in architecture, which opened the way to other architects having more progressive dialogues on mosque design.
Al Awar added that he looks forward to breaking stereotypes about the UAE as a desert country at the Venice Architecture Biennale 2021, where the theme of wetlands will feature prominently in the national pavilion.-TradeArabia News Service